Pakayla Biehn

Pakayla Biehn

lorna simpson, counting, 1991

lorna simpson, counting, 1991

Dan Graham, still from Rock My Religion, 1982–84. Video, black-and-white and color

Dan Graham, still from Rock My Religion, 1982–84. Video, black-and-white and color

I pulled this footage from Thailand together with a second video showing the 2009 US Airways crash in the Hudson River. In this piece, I became fascinated by themes of tourism, disaster, globalization, the military-industrial complex, and history. But most of all, I’m drawn to the aesthetic power of the air disaster, and the majesty of watching airplanes be submerged and re-emerge from water, like a kind of baptismal rite. The sea has a wide array of psychoanalytic and mythic associations which I feel produce sparks of meaning when they coincide with the airplane’s modern form.

Richard Mosse, Leviathan (in progress)

The tendency toward the vernacular in contemporary photography is one that I that find both exciting and somewhat taxing. At its best, this way of working engages with, or distills perhaps, something revealing about everyday life - the quiet, casual or intimate moments that often disclose a refreshing honesty about our lives. At its worst, however, this trend is steeped in triteness and pretense. Many contemporary photographers emulating this style seem to be more interested in selling a particular lifestyle than elucidating something meaningful. When the lines between the aesthetics and substance are uncomfortably blurred, I tend to find the work disingenuous.
In 1988 a Florida judge, trying a case concerning the beating to death of a gay man asked the prosecutor, “That’s a crime now, to beat up a homosexual?” The prosecutor responded, “Yes, sir. And it’s also a crime to kill them.” “Times have really changed,” the judge replied.
I truly feel that there are as many ways of loving as there are people in the world and as there are days in the life of those people.
(via flyingkites)

(via flyingkites)

the temporary loss of the ability to tolerate spatial separations from a secure base